The world we inhabit is expanding. Global population growth, increased mobility, accelerated contacts, rising levels of production and consumption, and the expansion of natural resource extraction have had a significant impact in environmental, social and psychological terms. What forms of interaction with the material world acknowledge that there are limits to what we, as humans, might know and control?
Participants in World of Matter draw upon methodologies from the social and natural sciences, journalism, and also poetics and aesthetics, to scrutinize zones of geopolitical-ecological upheaval. The research conducted by the artists, journalists and theorists in World of Matter coheres around a sensitive reconsideration of the planet’s “resources.” Their projects adopt a variety of formats and strategies to delve into relations between humans and the world, in some cases by way of historical narratives, in others, through scientific laboratory research, community collaboration, visualization technologies, or activist organization. These experiments animate an emergent notion of artistic global citizenship, breaking up well-worn patterns of representation by embracing a plethora of aesthetic, conceptual and interventionist engagements with “matter.”
We contributed two projects to the World of Matter exhibition in Montreal: The interactive LandRush-App was presented on two iPads. Our other major research project White Gold – about the social and environmental effects of global cotton production was shown as a multichannel video installation.